This ground-breaking anthology of poetry contains an informative foreword by the editor, Naomi Long Madgett, which traces the historical influences that have cast so many contemporary African American men in a negative light. The book is divided into eight sections: "Fathers," "Brothers, Sons and Other Youth," "Lovers," "Street Scene," "Beacons," "Music-Makers," "In Light and Shadow," and "In This Sad Place." Each of these section titles is preceded by a group of four portraits drawn by the late Carl Owens. This is an extremely important book that educates its readers, portraying African American men in many positive ways and denying the stereotypical images that too often prevail. The message is not overshadowed by the fine literary quality of the poems by 55 African American women. The title refers to If#65533;, a city in Nigeria which, according to legend, was the birthplace of mankind.
The title of the collection serves as an umbrella for the intimate concerns expressed in the forty-eight poems; in music, grace notes are those added to the basic melody, the embellishments that—if played or sung at the right moment with just the right touch—can break your heart.
In settings as various as a patio in Arizona, the bistros and boulevards of Paris, the sun-drenched pyramids of Mexico and directly from the Greek myth itself Rita Dove explores this relationship and the dilemma of letting go.
In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos," to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.
This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.
Just as blues influenced the Harlem Renaissance and jazz influenced the Black Arts Movement, hip-hop's musical and cultural force has shaped the aesthetics of and given rise to a new generation of American poets. Edited by poets Kevin Coval, Nate Marshall, and Quraysh Ali Lansana, The Breakbeat Poets: New American Poetry in the Age of Hip-Hop is the first anthology of poetry from the hip-hop generation. The Breakbeat Poets are multigenerational and multiracial, employing traditional and wild style poetics to narrate a new landscape.
Call Number: ON DISPLAY Blue Ash Stacks PS3515.U274 A17 1994
Publication Date: 1994
A complete anthology of the poetry of Langston Hughes presents 860 poems that capture the rhythms, emotions, cultural significance, and political awareness of African-American life, from his earliest works to his final collection.
Call Number: ON DISPLAY Blue Ash Stacks PS3557.I55 A6 2003
Publication Date: 2003
The Collected Poetry of Nikki Giovanni contains Giovanni's first seven volumes of poetry: Black Feeling Black Talk, Black Judgement, Re: Creation, My House, The Women and the Men, Cotton Candy on a Rainy Day, and Those Who Ride the Night Winds. Each volume reflects the changes Giovanni has endured as a Black woman, lover, mother, teacher, and poet.
Forty-three poets cover three generations, ranging from such established voices as Michael Harper, Nikki Giovanni, and the late Gwendolyn Brooks to a host of rising young writers who are reimagining America in the language of a hip-hop nation.
Call Number: ON DISPLAY Blue Ash Stacks PS3557.I55 .Q46 2002
Publication Date: 2002
From Black Feeling, Black Talk and Black Judgment in the 1960s to Bicycles in 2010, Giovanni's poetry has influenced literary figures from James Baldwin to Blackalicious, and touched millions of readers worldwide. In Quilting the Black-Eyed Pea, Giovanni turns her gaze toward the state of the world around her, and offers a daring, resonant look inside her own self as well.
Along with a new introduction and poem, Selected Poems comprises Dove's collections The Yellow House on the Corner, which includes a group of poems devoted to the themes of slavery and freedom; Museum, intimate ruminations on home and the world; and finally, Thomas and Beulah, winner of the Pulitzer Prize in 1987, a verse cycle loosely based on her grandparents' lives.
This Is My Century is Walker's own defining summation of her career. Selected by the author herself, the one hundred poems include thirty-seven previously uncollected pieces and the entire contents of three hard-to-find volumes: the award-winning For My People (1942), Prophets for a New Day (1970), and October Journey (1975).
The poems, read in sequence as intended, tell of the lives of a married black couple from the early part of the century until their deaths in the 1960s, a period that spans the great migration of blacks from rural south to urban north.