New Materials at Frederick A. Marcotte Library

What was life like for native peoples in present-day North America before their lives were disrupted by European conquest? What was their day-to-day existence? How often did they wage war on other tribes? What did they use in religious ceremonies? Did they farm the land or hunt for food? What crops did they grow? How was it that certain civilizations died out while others created social structures that lasted thousands of years? Unocver the answers to these and other questions in this vibrant exploration of the material, social, political, religious, and economic structures of the diverse cultures of native North America. This volume presents the daily lives of Native Americans, from prehistoric migrants to the victims of European conquest, and demonstrates the ways in which they were as similar to modern peoples as they were different.Learn how Iroquoian tribal politics operated democratically, with all key tribal elders nominated by women. Discover how the Thule tribe in the Artic hunted seal in 8-hour time stretches, in temperatures of fifty degrees below zero. Explore the lost village now known as Snaketown, in the Sonoran Desert, where a central plaza with a ballcourt was the center of village life. See how the communal ties of the Great Plains tribes supported a culture of bison hunting--on foot--to subsist for thousands of years. Supplemented by a chronology of events from 28,000 B.C. until 1470, a bibliography of print and nonprint sources, and revealing photos of tools, excavation sites, and artist renderings of scenes from daily life, this volume is a must-read for any student of American pre-history.

Stepping through time to past and present communities, settled in deep hollows and surrounded by ridges and mountains in Tennessee's Appalachia, is to confront a different and disappearing realm. Travel along Hogskin and Richland Valleys. Visit Frenches Mill and Dulaney General Store while passing cantilever barns, one-room school buildings and steepled churches. Listen as octogenarians Robert, Charles, Glenn and others explain life without electricity. Former Cades Cove residents Lois and Inez tell stories of living in the Great Smoky Mountains National Park before it was a national park. Authors Fred Brown, retired journalist, and Harry Moore, retired geologist, explore Tennessee's Appalachian region, recalling its culture, land and people before it vanishes into the abyss of time.

The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased--routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

Go‑to expert on gender identity, Schuyler Bailar, offers an essential, urgent guide that changes the conversation. Anti-transgender legislation is being introduced in state governments around the United States in record-breaking numbers. Trans people are under attack in sports, healthcare, school curriculum, bathrooms, bars, and nearly every walk of life. He/She/They clearly and compassionately addresses fundamental topics, from why being transgender is not a choice and why pronouns are important, to more complex issues including how gender-affirming healthcare can be lifesaving and why allowing trans youth to play sports is good for all kids. With a relatable narrative rooted in facts, science, and history, Schuyler helps restore common sense and humanity to a discussion that continues to be divisively coopted and deceptively politicized. Schuyler Bailar didn't set out to be an activist, but his very public transition to the Harvard men's swim team put him in the spotlight. His choice to be open about his transition and share his experience has touched people around the world. His plain-spoken education has evolved into tireless advocacy for inclusion and collective liberation. In He/She/They, Schuyler uses storytelling and the art of conversation to give us the essential language and context of gender, meeting everyone where they are and paving the way for understanding, acceptance, and, most importantly: connection. He/She/They is more than a book on allyship; it also speaks to trans folks directly, answering the question, "does it get better?" with a resounding yes, celebrating radical trans joy. Myth-busting, affirming, compassionate, and fierce, He/She/They is a crucial, urgent--and lifesaving--book that forever changes the conversation about gender.

The largely untold story of the great migration of white southerners to the industrial Midwest and its profound and enduring political and social consequences Over the first two-thirds of the twentieth century, as many as eight million whites left the economically depressed southern countryside and migrated to the booming factory towns and cities of the industrial Midwest in search of work. The "hillbilly highway" was one of the largest internal relocations of poor and working people in American history, yet it has largely escaped close study by historians. In Hillbilly Highway, Max Fraser recovers the long-overlooked story of this massive demographic event and reveals how it has profoundly influenced American history and culture--from the modern industrial labor movement and the postwar urban crisis to the rise of today's white working-class conservatives. The book draws on a diverse range of sources--from government reports, industry archives, and union records to novels, memoirs, oral histories, and country music--to narrate the distinctive class experience that unfolded across the Transappalachian migration during these critical decades. As the migration became a terrain of both social advancement and marginalization, it knit together white working-class communities across the Upper South and the Midwest--bringing into being a new cultural region that remains a contested battleground in American politics to the present. The compelling story of an important and neglected chapter in American history, Hillbilly Highway upends conventional wisdom about the enduring political and cultural consequences of the great migration of white southerners in the twentieth century.

FINALIST FOR THE KIRKUS PRIZE FOR NONFICTION * ONE OF TIME'S 100 MUST-READ BOOKS OF THE YEAR * ONE OF THE NEW YORK TIMES BOOK REVIEW'S CRITICS' PICKS * ONE OF THE BOSTON GLOBE'S 55 BOOKS WE LOVED THIS YEAR * ONE OF KIRKUS'S BEST NONFICTION BOOKS OF THE YEAR* An intimate, insightful, at times even humorous blend of memoir and philosophy that examines why the thought of death is so compulsive for some while demonstrating that there's always another solution--from the acclaimed writer and philosophy professor, based on his viral essay, "I'm Still Here." "A deep meditation that searches through Martin's past looking for answers about why he is the way he is, while also examining the role suicide has played in our culture for centuries, how it has evolved, and how philosophers have examined it." --Esquire "A rock for people who've been troubled by suicidal ideation, or have someone in their lives who is." --The New York Times "If you're going to write a book about suicide, you have to be willing to say the true things, the scary things, the humiliating things. Because everybody who is being honest with themselves knows at least a little bit about the subject. If you lie or if you fudge, the reader will know." The last time Clancy Martin tried to kill himself was in his basement with a dog leash. It was one of over ten attempts throughout the course of his life. But he didn't die, and like many who consider taking their own lives, he hid the attempt from his wife, family, coworkers, and students, slipping back into his daily life with a hoarse voice, a raw neck, and series of vague explanations. In How Not to Kill Yourself, Martin chronicles his multiple suicide attempts in an intimate depiction of the mindset of someone obsessed with self-destruction. He argues that, for the vast majority of suicides, an attempt does not just come out of the blue, nor is it merely a violent reaction to a particular crisis or failure, but is the culmination of a host of long-standing issues. He also looks at the thinking of a number of great writers who have attempted suicide and detailed their experiences (such as David Foster Wallace, Yiyun Li, Akutagawa, Nelly Arcan, and others), at what the history of philosophy has to say both for and against suicide, and at the experiences of those who have reached out to him across the years to share their own struggles. The result combines memoir with critical inquiry to powerfully give voice to what for many has long been incomprehensible, while showing those presently grappling with suicidal thoughts that they are not alone, and that the desire to kill oneself--like other self-destructive desires--is almost always temporary and avoidable.

 

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Although children have prompted and participated in numerous acts of protest and advocacy, their words and labors are more likely to be dismissed than discussed as serious activism. Whether treated disparagingly by antagonistic audiences or lauded as symbols of hope by sympathetic ones, children and teens are rarely considered capable organizers and advocates for change. In Just Kids, Risa Applegarth investigates youth-organized activism from the 1990s to the present, asking how young people have leveraged age as a rhetorical resource, despite material and rhetorical barriers that limit their access to traditional forms of electoral power. Through case studies of antinuclear activism, im/migration activism, and activism for gun reform, this book reveals how childhood both limits and enables rhetorical possibility for young people. Drawing on interviews and focus group discussions with activists, Applegarth probes how participants understand the success and failure of their efforts beyond the immediate moment of impact. Methodologically innovative, Just Kids develops a framework of reflexive agency to make sense of how participants' activism has mattered over time within their lives and communities.

 

 

 

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An updated edition combining two classic works of Chicana and queer literatures, with a new introduction by renowned writer and luminary, Cherríe Moraga. In celebration of the 40th anniversary of its original publication, this updated edition of Loving in the War Years combines Moraga's classic memoir with The Last Generation: Poetry and Prose, originally published in 1993, along with additional writings from the late 1990s,  The result is a synergy of signature works crucial to the development of the intersectional politics we know today. Cherríe Moraga's powerful memoir remains as urgent as ever. She explores the contradictions and complexities of her Chicana and lesbian identities, moving gracefully between poetry and prose, Spanish and English, personal narratives and political theory. Moraga recounts navigating the world largely as an outsider in her early years, circling the interconnected societies around her from a distant yet observant perspective. Ultimately, however, her writing serves as a bridge between her cultures, languages, family, and herself, enabling her to look inward to forge connections from what had heretofore been inaccessible parts of her interior world. A touchstone for artists and activists, the works combine to show how deep self-awareness and compassionate engagement with one's radically changing surroundings are key to building global solidarity among people and political movements. 

 

 

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Niloofar Rahmani was born in 1991 in Kabul, Afghanistan, just a few years after the Soviets left. During the rise of the Taliban, her father took his young family to Pakistan, where they lived for nine years as refugees. Then, after the 9/11 terrorist attacks and the international coalition's invasion, the Rahmani family returned to their home in Kabul. In 2010, for the first time since the Soviets, Afghanistan allowed women to join the armed forces, and Niloofar entered Afghanistan's military academy. However, the professed openness of the new Afghan military could not surmount centuries of chauvinism. Niloofar had to break through social barriers to demonstrate confidence, leadership, and decisiveness--essential qualities for a pilot. Against the odds, Niloofar performed the first solo flight of her class--ahead of all her male classmates--and in 2013 became Afghanistan's first female fixed-wing air force pilot. Yet some Afghan soldiers refused to fly with her, while others disparaged and harassed her. In 2014 the Taliban threatened Niloofar, her father lost his job, and extended family members disavowed them. The US State Department honored Niloofar with the International Women of Courage Award and sent her to the United States to meet Michelle Obama and fly with the US Navy's Blue Angels. But when she returned to Kabul, the danger to her and her family had increased significantly, forcing them to move every few months. In 2015 the US military brought Niloofar back to the US to learn to fly C-130s, but before graduation she learned she couldn't go home, and requested political asylum. She was granted US asylum in 2018. 

Challenging traditional and long-standing understandings, this volume provides an important new lens for interpreting stone structures that had previously been attributed to settler colonialism. Instead, the contributors to this volume argue that these locations are sacred Indigenous sites. This volume introduces readers to eastern North America's Indigenous ceremonial stone landscapes (CSLs)--sacred sites whose principal identifying characteristics are built stone structures that cluster within specific physical landscapes. Our Hidden Landscapes presents these often unrecognized sites as significant cultural landscapes in need of protection and preservation. In this book, Native American authors provide perspectives on the cultural meaning and significance of CSLs and their characteristics, while professional archaeologists and anthropologists provide a variety of approaches for better understanding, protecting, and preserving them. The chapters present overwhelming evidence in the form of oral tradition, historic documentation, ethnographies, and archaeological research that these important sites created and used by Indigenous peoples are deserving of protection. This work enables archaeologists, historians, conservationists, foresters, and members of the general public to recognize these important ritual sites. Contributors Nohham Rolf Cachat-Schilling Robert DeFosses James Gage Mary Gage Doug Harris Julia A. King Lucianne Lavin Johannes (Jannie) H. N. Loubser Frederick W. Martin Norman Muller Charity Moore Norton Paul A. Robinson Laurie W. Rush Scott M. Strickland Elaine Thomas Kathleen Patricia Thrane Matthew Victor Weiss

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A timely, accessible introduction to Margaret Atwood's most recent novels and enduring themes. In 2017, the Hulu adaptation of Margaret Atwood's The Handmaid's Tale introduced the acclaimed and bestselling Canadian author to a new generation and reminded Atwood's long-established readers of her uncanny prescience. Understanding Margaret Atwood provides an overview of the author's life, descriptions and analyses of the key themes present in her most recent novels, signposts to the connections and intertextual references between them, and attention to their critical reception. Following a biographical overview, author Donna M. Bickford studies The Handmaid's Tale (1985) and its sequel The Testaments (2019), retellings of The Odyssey in The Penelopiad (2005) and The Tempest in Hag Seed (2016), the MaddAddam trilogy (2003, 2009, 2013), and The Heart Goes Last (2015). Written in clear language and a style appropriate both for scholars and for new students of Atwood, Bickford locates Atwood's recent works in the literary, political, and social context. Atwood is the author of more than fifty books of fiction, essays, and poetry, which have collectively sold more than eight million copies worldwide; has received numerous awards and accolades, including multiple Booker Prizes and a PEN Center USA Lifetime Achievement Award; and is a Fellow of the Royal Society of Canada.

 

 

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