New Materials at Frederick A. Marcotte Library

Of all the creatures of the deep blue, none is as captivating as the octopus. In Many Things Under a Rock, marine biologist David Scheel investigates four major mysteries about these elusive beings. How can we study an animal with perfect camouflage and secretive habitats? How does a soft and boneless creature defeat sharks and eels, while thriving as a predator of the most heavily armored animals in the sea? How do octopus bodies work? And how does a solitary animal form friendships, entice mates, and outwit rivals? Over the course of his twenty-five years studying octopuses, Scheel has witnessed a sea change in what we know and are able to discover about octopus physiology and behavior--even an octopus's inner life. Here he explores amazing new scientific developments, weaving accounts of his own research, and surprising encounters, with stories and legends of Indigenous peoples that illuminate our relationship with these creatures across centuries. In doing so, he reveals a deep affinity between humans and even the most unusual and unique undersea dwellers. Octopuses are complex, emotional, and cognitive beings; even as Scheel unearths explanations for the key mysteries that have driven his work, he turns up many more things of wonder that lurk underneath. This is the story of what we have learned and what we are still learning about the natural history and wondrous lives of these animals with whom we share our blue planet.

 

 

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A tale of grit and real teamwork in the wilds of Antarctica when the hunger for knowledge reigns supreme. Anything can happen in a pure wilderness experienced by few humans--a place where unseen menace waits everywhere. This story is an unembellished account of a scientist and his team exploring the last place on Earth. But, unlike most recent books on Antarctica, the reader becomes embedded with geologist Bruce Luyendyk's team. They share the challenges, companionship, failures, bravery, and success brought to light from scientific research pursued in an unforgiving place, Marie Byrd Land, or Mighty Bad Land. The geologists make surprising discoveries. Luyendyk realizes that vast submarine plateaus in the southwest Pacific are continental pieces that broke away from the Marie Byrd Land sector of Gondwana. He coined "Zealandia" to describe this newly recognized submerged continent. Only the tops of its mountains poke above sea level to host the nation of New Zealand. This stunning revelation of a submerged eighth continent promises economic and geopolitical consequences reverberating into the twenty-first century. The story occurs in the 1990s and fills a gap in the timeline of Antarctic exploration between the Heroic Age, the age of military exploration, and before the modern era of science. Danger is exponentially greater, isolation a constant threat without GPS, satellite phones, and the internet. As the expedition's leader, Luyendyk stands up to his demons that surface under the extreme duress of his experience, like nearly losing two team members.

Meeting with volcanoes around the world, a volcanologist interprets their messages for humankind.   In Mountains of Fire, Clive Oppenheimer invites readers to stand with him in the shadow of an active volcano. Whether he is scaling majestic summits, listening to hissing lava at the crater's edge, or hunting for the far-flung ashes from Earth's greatest eruptions, Oppenheimer is an ideal guide, offering readers the chance to tag along on the daring, seemingly-impossible journeys of a volcanologist. In his eventful career as a volcanologist and filmmaker, Oppenheimer has studied volcanoes around the world. He has worked with scientists in North Korea to study Mount Paektu, a volcano name sung in national anthems on both sides of the Demilitarized Zone. He has crossed the Sahara to reach the fabled Tiéroko volcano in the Tibesti Mountains of Chad. He spent months camped atop Antarctica's most active volcano, Mount Erebus, to record the pulse of its lava lake. Mountains of Fire reveals how volcanic activity is entangled with our climate and environment, as well as our economy, politics, culture, and beliefs. These adventures and investigations make clear the dual purpose of volcanology--both to understand volcanoes for science's sake and to serve the communities endangered and entranced by these mountains of fire. 

 

 

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How science fiction films in the 1950s were marketed and helped create the broader genre itself. For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction. Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consider new marketing approaches that viewed films as fluid texts and audiences as ever-changing. Drawing on trade reports, film reviews, pressbooks, trailers, and other archival materials, Selling Science Fiction Cinema reconstructs studio efforts to market a promising new genre and, in the process, shows how salesmanship influenced what that genre would become. Telotte uses such films as The Thing from Another World, Forbidden Planet, and The Blob, as well as the influx of Japanese monster movies, to explore the shifting ways in which the industry reframed the SF genre to market to no-longer static audience expectations. Science fiction transformed the way Hollywood does business, just as Hollywood transformed the meaning of science fiction.

"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."--USA Today, Four Stars In this New York Times bestselling novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors. Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written. 

"I've lived a completely ordinary life, so much that I don't know how to write a transgender or queer or Appalachian story, because I don't feel like I've lived one.... Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness." Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as "Appalachian." Appalachia existed farther afield--more rural, more country than the landscape of her hometown. Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness. In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In "Dead Furrows," a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. "Homeplace" threads family interactions with farm animals and Grover's coming out journey, illuminating the disturbing parallels between the American Veterinary Association's guidelines for ethical euthanasia and the World Professional Association for Transgender Health's guidelines for transgender care. Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.

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Hailed by Publishers Weekly as "a potent primer on the need to rein in big tech" and Kirkus Reviews as "a rock-solid plan for controlling the tech giants," readers will be energized by Tom Wheeler's vision of digital governance. An accessible and visionary book that connects the experiences of the late 19th century's industrial Gilded Age with its echoes in the 21st century digital Gilded Age. Hailed by Ken Burns as one of the foremost "explainers" of technology and its effect throughout history, Tom Wheeler now turns his gaze to the public impact of entrepreneurial innovation. In Techlash, he connects the experiences of the late 19th century's industrial Gilded Age with its echoes in the 21st century digital Gilded Age. In both cases, technology innovation and the great wealth that it created ran up against the public interest and the rights of others. As with the industrial revolution and the Gilded Age that it created, new digital technology has changed commerce and culture, creating great wealth in the process, all while being essentially unsupervised. Warning that today is not the "Fourth Industrial Revolution" some envision, Wheeler calls for a new era of public interest oversight that leaves behind industrial era regulatory ideas to embrace a new process of agile, supervised and enforced code setting that protects consumers and competition while encouraging continued innovation. Wheeler combines insights from his experience at the highest echelons of business and government to create a compelling portrait of the need to balance entrepreneurial innovation with the public good. ology has changed commerce and culture, creating great wealth in the process, all while being essentially unsupervised. Warning that today is not the "Fourth Industrial Revolution" some envision, Wheeler calls for a new era of public interest oversight that leaves behind industrial era regulatory ideas to embrace a new process of agile, supervised and enforced code setting that protects consumers and competition while encouraging continued innovation. Wheeler combines insights from his experience at the highest echelons of business and government to create a compelling portrait of the need to balance entrepreneurial innovation with the public good. ology has changed commerce and culture, creating great wealth in the process, all while being essentially unsupervised. Warning that today is not the "Fourth Industrial Revolution" some envision, Wheeler calls for a new era of public interest oversight that leaves behind industrial era regulatory ideas to embrace a new process of agile, supervised and enforced code setting that protects consumers and competition while encouraging continued innovation. Wheeler combines insights from his experience at the highest echelons of business and government to create a compelling portrait of the need to balance entrepreneurial innovation with the public good. ology has changed commerce and culture, creating great wealth in the process, all while being essentially unsupervised. Warning that today is not the "Fourth Industrial Revolution" some envision, Wheeler calls for a new era of public interest oversight that leaves behind industrial era regulatory ideas to embrace a new process of agile, supervised and enforced code setting that protects consumers and competition while encouraging continued innovation. Wheeler combines insights from his experience at the highest echelons of business and government to create a compelling portrait of the need to balance entrepreneurial innovation with the public good. and enforced code setting that protects consumers and competition while encouraging continued innovation. Wheeler combines insights from his experience at the highest echelons of business and government to create a compelling portrait of the need to balance entrepreneurial innovation with the public good.

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."--Cherie Dimaline, author of The Marrow Thieves "Sterritt's story is living proof of how courageous Indigenous women are."--Tanya Talaga, author of Seven Fallen Feathers and All Our Relations Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued. Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way. "She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

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A rollicking no-holds barred memoir from journalist and musician Eugene S. Robinson that takes readers along through the story of his life. "A weird rollicking ride" frames how author Eugene S. Robinson views his journey from a Brooklyn kid with decidedly offbeat punk rock proclivities to the realities of California hardcore and dark detours into shows, tours, drugs, porn, guns, MMA fighting, an Ivy League-esque education and his eventual entry into the US Defense industry just in time to see his boss dragged into Contragate. Robinson's writing mirrors his fighting style intensity, ferocity, and brutal truth. He knows exactly who he is and how he is perceived by the white people and white culture that surrounds him. Robinson challenges accepted norms. He fights against easy answers and safe passages. He says: "No one who ever gets a life sentence for just about anything really expects it to last a lifetime. Even if the modifier is "without the possibility of parole." Hope springs eternal but there's always the undiscussed other option. The one where the fate is chosen, freely, and the protagonist has about as much interest in escaping as he does of being almost anywhere else at all. Which is to say: not at all." A Walk Across Dirty Water is Robinson's memoir of growing up in Brooklyn during the 1970s, playing in punk bands and touring the world during the eighties, taking a break to attend Stanford, and accidentally becoming a famous television personality in Germany. 

 

 

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